Who is it for?

This course caters for photographers using both digital and film cameras. The increasing dominance of digital cameras means that our principal focus will be on the new medium.

Taking your photography to a higher level is designed for photographers whose first interest is the pictures they create, rather than the detail of  technology applied. The aim is to simplify, demystify technique.

   We'll look at the history of photography through the eyes the greatest photographers and talk about the future impact of the new cameras.

Taking your photography to a higher level is squarely aimed at those who view photography as an integral part of daily life. We won't focus on photography as a career; there's no formal studio work: just basic coverage of artificial lighting and flash . . . but we do focus on achieving the highest pictorial ambitions with the minimum of technical distractions.

Course structure

   The two sessions each week will be loosely divided, The first will be mainly theory and the second practice.

Location photography

   At least two of the sessions will be location shoots, one covering place and environment, the other street and event photography focusing on people. (The night group will transfer two evenings to days on agreed weekends.)

However, additional location sessions will be provided where required.

Course method

   There will be maximum flexibility in subject and presentation. As each course progresses, it will be tailored to the needs of the group.



Book now

to avoid disappointment. 

Class size will be limited

Painted pre parade, Mardi Gras 2000

Painted pre parade, Mardi Gras 2000                       Enlarge


On course with  photosydlogo100px.gif        ISO/FILM SPEED

In lower lighting use higher ISO (digital) or faster film to avoid blur.


Photo call, Mardi Gras Parade, March 2006

Photo call, Mardi Gras Parade, March 2006                Enlarge


On course with  photosydlogo100px.gif   DECISIVE MOMENT

The picture elements were all in place. Then the wind caught the student photographer's skirt.


Dykes on Bikes riders, Mardi Gras Parade, 2005

Dykes on Bikes riders, Mardi Gras Parade, 2005         Enlarge


On course with  photosydlogo100px.gif        B&W OR COLOUR?

Distracting backgrounds can have reduced impact in black & white.

Topics include:

• Cameras / types

• Essential photo techniques

• Composition

• Planning/preparation

• Accessories 

• History of the medium

• Photo movements

• Impact of art traditions

• Black & white

• Processing

• Presentation /

   Winning an audience

• Workflow

• Photographing people

• Street photography

• Photographing children

• Ceremonies and events

• Portraiture / The nude

• Using flash / artificial light

• Landscapers / Cityscapes

• Printing

• Web publishing

• Nature / Close up photography

• PC & software review / scanning

• Architecture & industry

• People at work

• Movement & blur

• Sports/action photography

• Individual directions